Stephen King - November 3, 2015
A master storyteller at his best—the O. Henry Prize winner Stephen King delivers a generous collection of stories, several of them brand-new, featuring revelatory autobiographical comments on when, why, and how he came to write (or rewrite) each story. Since his first collection, Nightshift , published thirty-five years ago, Stephen King has dazzled readers with his genius as a writer of short fiction. In this new collection he assembles, for the first time, recent stories that have never been published in a book. He introduces each with a passage about its origins or his motivations for writing it. There are thrilling connections between stories; themes of morality, the afterlife, guilt, what we would do differently if we could see into the future or correct the mistakes of the past. “Afterlife” is about a man who died of colon cancer and keeps reliving the same life, repeating his mistakes over and over again. Several stories feature characters at the end of life, revisiting their crimes and misdemeanors. Other stories address what happens when someone discovers that he has supernatural powers—the columnist who kills people by writing their obituaries in “Obits;” the old judge in “The Dune” who, as a boy, canoed to a deserted island and saw names written in the sand, the names of people who then died in freak accidents. In “Morality,” King looks at how a marriage and two lives fall apart after the wife and husband enter into what seems, at first, a devil’s pact they can win. Magnificent, eerie, utterly compelling, these stories comprise one of King’s finest gifts to his constant reader—“I made them especially for you,” says King. “Feel free to examine them, but please be careful. The best of them have teeth.”
Douglas Preston & Lincoln Child - November 10, 2015
A secret chamber. A mysterious shipwreck. A murder in the desolate salt marshes. A seemingly straightforward private case turns out to be much more complicated-and sinister-than Special Agent A.X.L. Pendergast ever could have anticipated. Pendergast, together with his ward Constance Greene, travels to the quaint seaside village of Exmouth, Massachusetts, to investigate the theft of a priceless wine collection. But inside the wine cellar, they find something considerably more disturbing: a bricked-up niche that once held a crumbling skeleton. Pendergast and Constance soon learn that Exmouth is a town with a very dark and troubled history, and this skeleton may be only the first hint of an ancient transgression, kept secret all these years. But they will discover that the sins of the past are still very much alive. Local legend holds that during the 1692 witch trials in Salem, the real witches escaped, fleeing north to Exmouth and settling deep in the surrounding salt marshes, where they continued to practice their wicked arts. Then, a murdered corpse turns up in the marshes. The only clue is a series of mysterious carvings. Could these demonic symbols bear some relation to the ancient witches' colony, long believed to be abandoned? A terrible evil lurks beneath the surface of this sleepy seaside town-one with deep roots in Exmouth's grim history. And it may be that Constance, with her own troubled past, is the only one who truly comprehends the awful danger that she, Pendergast, and the residents of Exmouth must face . . .
James Hayman - August 25, 2015
Two identical women. Two identical murders. Two lives brutally cut short 108 years apart June 1904. Aimée Garnier Whitby, a beautiful French artist and wife of one of Maine's richest and most powerful men, is found near death on the Whitby family's private summer island, the letter "A" mysteriously carved into her chest. June 2012. Veronica Aimée Whitby, the eighteen-year-old descendant and virtual double of the first Aimée, becomes the victim of a near perfect copycat murder. With another beautiful, promising young Whitby woman slain, the media begin to swarm and pressure builds for Mike McCabe and Maggie Savage to bring the killer quickly to justice. But the key to solving Aimée's death just might have been buried with her beautiful ancestor. The latest McCabe and Savage thriller from USA Today bestselling author James Hayman is a crackling, twisty novel of suspense, perfect for fans of J.A. Jance and John Sandford.
Vince Flynn & Kyle Mills - October 6, 2015
A blistering novel that picks up where The Last Man left off, The Survivor is a no-holds-barred race to save America…and Mitch Rapp’s finest battle. When Joe “Rick” Rickman, a former golden boy of the CIA, steals a massive amount of the Agency’s most classified documents in an elaborately masterminded betrayal of his country, CIA director Irene Kennedy has no choice but to send her most dangerous weapon after him: elite covert operative Mitch Rapp. Rapp quickly dispatches the traitor, but Rickman proves to be a deadly threat to America even from beyond the grave. Eliminating Rickman didn’t solve all of the CIA’s problems—in fact, mysterious tip-offs are appearing all over the world, linking to the potentially devastating data that Rickman managed to store somewhere only he knew. It’s a deadly race to the finish as both the Pakistanis and the Americans search desperately for Rickman’s accomplices, and for the confidential documents they are slowly leaking to the world. To save his country from being held hostage to a country set on becoming the world’s newest nuclear superpower, Mitch Rapp must outrun, outthink, and outgun his deadliest enemies yet.
Paula Hawkins - January 13, 2015
A debut psychological thriller that will forever change the way you look at other people's lives. Rachel takes the same commuter train every morning. Every day she rattles down the track, flashes past a stretch of cozy suburban homes, and stops at the signal that allows her to daily watch the same couple breakfasting on their deck. She’s even started to feel like she knows them. “Jess and Jason,” she calls them. Their life—as she sees it—is perfect. Not unlike the life she recently lost. And then she sees something shocking. It’s only a minute until the train moves on, but it’s enough. Now everything’s changed. Unable to keep it to herself, Rachel offers what she knows to the police, and becomes inextricably entwined in what happens next, as well as in the lives of everyone involved. Has she done more harm than good? Compulsively readable, The Girl on the Train is an emotionally immersive, Hitchcockian thriller and an electrifying debut.